Shaping the next generation of Artists.
This warm-up helps students think visually and connect emotions to art using only lines and shapes in black and white. The goal is to express emotions without words and prepare for the main artwork.
1. Before we start drawing, let’s think: How do emotions feel?
2. Some emotions feel light and airy, others feel heavy and strong.
3. Art is like movement, we can show emotions with different types of lines.
Curvy, flowing, bouncy lines that feel light and playful.
Droopy, soft, downward strokes that feel slow and heavy.
Sharp, jagged, crisscrossing lines with hard, dark strokes.
Shaky, wobbly, uneven lines that overlap or look unsteady.
Bursting, radiating, quick short strokes that feel fast and energetic.
Smooth, flowing, gentle curves with open spaces.
Bold, strong, thick strokes with commanding angles.
Flat, slow, repetitive strokes that don’t change much.
Tight, scribbled, hard-pressed marks with overlapping lines.
Tight, circular scribbles and scattered lines that feel restless.
Heavy, dragging downward lines that seem to sink.
Tangled, looping, overlapping lines that go in different directions.
Hatching (closely spaced parallel lines) can build texture and shading fast, sharp hatching can add energy or tension, while soft, light hatching feels more gentle and calm.
Cross-hatching (crisscrossing lines) makes areas look darker and more intense, great for showing deep emotions like sadness, anger, or mystery.
Stippling (small dots placed close together) creates shading and softness light stippling feels airy and calm, while dense stippling feels heavy and serious.
Smudging & blending make drawings look dreamy and soft, helping to express emotions like peacefulness or sorrow.
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Elena Loviea
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